Subtotal: $
Checkout-
The Art of Community
-
Readers Respond: Issue 18
-
Family and Friends: Issue 18
-
I Did Not Leave
-
Summer of the Tree House
-
Warriors on Stage
-
The Beauty of Belonging
-
Insights on Beauty
-
It Could Be Anyone
-
All About Light
-
Making a Work of Art
-
The Business of the Artist
-
The Creative Process
-
Return to Appalachia
-
Excerpt: Mandela and the General
-
Why We Live in Community: A Manifesto
-
Editor’s Picks Issue 18
-
The Sacred Bonds of Sound
-
Making Music for Community
-
A Man of Honor
-
Wassily Kandinsky
-
Giant Picnic
How do you capture the life and energy of creative community on seventy-six square inches – namely, the front cover of a Plough Quarterly magazine? Emily Alexander, our art director, found that dramatic movement, spiraling from a central source, in Denis Brown’s striking calligraphic art.
We commissioned Denis to communicate this issue’s title, The Art of Community. He included background art from another of his original works – a galaxy of words forming a translation of an ancient Irish poem that celebrates a turbulent storm as God-given protection against Viking attack:
Bitter and wild is the wind tonight,
Tossing the tresses of the sea to white.
On such a night as this, I feel at ease;
Fierce Northmen only course the quiet seas.
Into this poem, he lettered lines that emerged from a different life, one which also rejoiced in storms and strong winds – phrases from Eberhard Arnold’s essay Why We Live in Community, “Communal life is impossible without faith,” and “the realization of a true community.”
Already a subscriber? Sign in
Try 3 months of unlimited access. Start your FREE TRIAL today. Cancel anytime.