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World-famous composer Arvo Pärt stormed Soviet-occupied Estonia’s music scene in the 1960s as a brash young man pushing the limits of avant-garde modernism. Then he fell silent, no longer able to express what he felt through the musical language he had inherited. When he reemerged a decade later, he had found, in that silence between sounds, a new musical language inspired by ancient sacred music, the basis of his distinctive tintinnabuli technique.